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BURA CERAMICS

The Bura ceramics, dating from around 500 BCE to 1000 BCE, are attributed to the Bura civilization in the Niger River Valley. These artifacts are mainly of the terracotta medium, save for a few outlying stone pieces. The Bura artifacts are primarily figurative jars, statues and urns which were used in burial practices. They are characterized by their unique scarification designs, ridged textures and often phallic-inspired motifs. They range from fluted pots to portrait-style busts to phallic-like jars. These vessels served as urns for skeletal remains and could also contain personal items like jewelry and tools. The Bura culture is best known for its complex burial rituals, which distinguish individuals by age, gender, and class. The ceramics, discovered at sites like Asinda-Sikka, reveal a sophisticated society with strong cultural continuity across the region.

Vessel (Catalog Number: 2023.02.A.07.a-b)

BURA CERAMICS

Vessel (Catalog Number: 2023.02.A.07.a-b)

Body (Catalog Number: 2021.12.A.09)

BURA CERAMICS

Body (Catalog Number: 2021.12.A.09)

Head (Catalog Number: 2021.12.A.07)

BURA CERAMICS

Head (Catalog Number: 2021.12.A.07)

Head (Catalog Number: 2021.12.A.06)

BURA CERAMICS

Head (Catalog Number: 2021.12.A.06)

Head (Catalog Number: 2019.07.A.23.a-b)

BURA CERAMICS

Head (Catalog Number: 2019.07.A.23.a-b)

Vessel (Catalog Number: 2003.08.A.032)

BURA CERAMICS

Vessel (Catalog Number: 2003.08.A.032)

Figure (Catalog Number: 2019.07.A.03)

BURA CERAMICS

Figure (Catalog Number: 2019.07.A.03)

About this Collection:

AABC and the Lam Museum of Anthropology collaborated on new approaches to ethnographic objects and artifacts and the potential for blockchain technology to create methods of stewardship and provenance transparency.

The Lam Museum of Anthropology holds a significant collection of Bura funerary artifacts from Niger, totaling 138 objects. The collection includes an array of ceramic figurine heads, anthropomorphic vases, and other vessels. These objects range in medium, namely terracotta to stone, and in their unique abstract designs. Concerns about the provenance of these artifacts have emerged, particularly as some may have been looted during the surge of international trafficking in the Bura region following the 1990s Vallées du Niger exhibition.

The Lam Museum has been engaged in ongoing efforts to authenticate and assess the collection's provenance, including thermoluminescence dating, 3D modeling, and adding the objects to a blockchain. As the conversation around the ethical implications of holding looted objects intensifies globally, the Lam Museum’s work with these Bura artifacts aligns with broader initiatives to return looted cultural heritage to its source country.